This is a masterpiece that combines traditional Karatsu ware techniques with a modern aesthetic. The work, which reflects the style of his master, Shigetoshi Nakazato, leaves a deep impression on the viewer.

The name "tataki" (beaten) comes from a traditional technique that has been passed down since the Momoyama period of Karatsu ware. In this technique, clay is made into strings using a method called "himozukuri," which involves stacking the pieces in a circle, placing stones on the inside, and shaping the piece by beating it with a shuttlecock-like board. This allows the piece to be made without using a potter's wheel, which not only results in a thin finish, but also soft lines on the sides, creating a unique texture. Also, the marks made by beating with the board are intentionally left on the surface, which expresses the unique charm of beating.

This piece has a handle reminiscent of a Persian vase, a rare design for Karatsu ware. This handle is a technique that can also be seen in the works of Nakazato Shigetoshi, and it is clear that Okamoto Sakurei was influenced by him. The shape and color are superb, not too flashy, and even though it is understated, you can feel the subtle changes in color that occurred in the kiln. The actual piece allows you to enjoy even more delicate colors, making it a vase with a very profound charm.

Size: Diameter 32.5cm
Height 23.2cm
Box: Same box

[Ceramics history]
Born in Karatsu City in 1958
1976 Graduated from Karatsu Higashi High School
1978: Trained at a Karatsu pottery studio
1989: Built the kiln at the current location
1998 Solo exhibition at Mitsukoshi, Chiba
1999: Learned the technique of pâte de verre at the Notojima Glass Studio in Ishikawa Prefecture
2006 Solo exhibition at Saga Tamaya
2008 Solo exhibition at Nomura Museum of Art, Kyoto
2014 Solo exhibition at GALLERY Ichibankan, Fukuoka